Wednesday

Loving Cup

Pound for pound, minute for minute, track for track, I think Exile on Main Street is my favorite album of all time. From the opening riff of Rocks Off to the final wails of Soul Survivor it's just packed with energy and terrific songs.

Of course it lacks the polish of a Sgt. Pepper's or the unmitigated excitement that you get when you listen to a 'new' band's debut album ( eg - Arctic Monkeys, etc).

As a kid, I was blown away by Sgt. Pepper's with 'how did they do that?' amazement.

With the Arctic Monkey's debut for instance, the sheer 'how good are these kids? and what will they do next?' excitement was immeasurable.

But this. This is a record by a mature band, recorded in relatively low fidelity that straight out rocks. The happiness with which it appears the band was playing is contagious. This is a monster band playing at the absolute height of their powers, and you can almost sense the fact that the entire extended band was living together and recording this at the oddest of hours. There are a ton of moments left in this album that would have been recut by other bands in persuit absolute perfection. And that's why it works. This record wasn't about the persuing the most immaculate production (ala, say Dark Side of the Moon). The stones were never really about that. This record seems to have been about capturing the essence of these songs with the knowledge that with each incremental take there would be an erosion of energy. Repetition would drain the performances of spontaneity. You leave some of the rough bits in for the greater good - the not quite quantifiable energy and aura.

Back in the day, my roommates and I would sit around listening to CDs and generally being too lazy to get up and switch songs or discs too often. I've never really thought about it too much, but I guess this was either before remote controls were standard, or more likely, because ours was broken. Anyway, this was the CD that beyond all others allowed us to be as lazy as possible. You put this one on, and you were good for at least two hours. That's tough to find in a CD that's not some sort of 20 year retrospective greatest hits nonsense.

It's an original, and there's really nothing else like it that I can immediately think of. This record (to me at least) lives somewhere in between a studio and a live recording. You know it's not a concert recording, but you can imagine everyone in the band playing / clapping etc along together. There's not much studio trickery and everything is infinitely reproducible. To me, this will always be the Stones at their finest.

9 comments:

  1. Very nice. Loose and tight at the same time. Maybe you should consider covering the corresponding Liz Phair song from Exile in Guyville as sort of an equal time deal.

    ReplyDelete
  2. I lack your ability to write well about these things that I love so dearly but everytime I listen to this album I become convinced that The Rolling Stones are the greastest rock and roll band of all time. This is of course true and not true as several hours later I can listen to the Unforgetable Fire, or OK Computer, or the White Album or Live Dead... etc. etc. etc.

    May as well throw this out there, but My buds and I have been developing a theory about seminal albums in a band's discography, eg The Joshua Tree, Led Zep 4, Dark Side of the Moon and then looking at the album that directly precedes it. I have often found I prefer the earlier album (Unforgetable Fire, Led ZEp 3 Meddle respectively).

    What do you think?

    ReplyDelete
  3. Wow - nicely done. Couldn't have said it better about "Exile". I don't share your enthusiasm for the Arctic Monkeys though.

    Interesting theory on the album preceding the seminal one. I prefer "Revolver" to "Pepper" and "Highway 61" to "Blonde On Blonde" (though for Beatles and Dylan its tough to pin their "seminal" work). I am with you on "Unforgettable Fire" - I love that album - so much atmosphere on it. I also agree on Zep III vs. IV (but love 'Dark Side' - got to go with the masses on that one). "Ghost In the Machine" is (probably) my favorite Police album - preceding "Synchronicity" (which I guess would be their seminal work though hard to tell since all 5 albums are so good).

    Matt Ryan

    ReplyDelete
  4. I agree with Matt re Dark Side. Interesting theory, Louis; and it does work for an awful lot of bands, huh? Certainly, most of the ones that you mention.

    Not sure it works for REM (at least for me), assuming that Green was the breakthrough. Was never much for Document. And if Out of Time is the breakthrough, I didn't really care for green either.

    Springsteen is another I was wrestling with. Though with him, it's much more of a question as to what the breakthrough was. I prefer Born to Run over The Wild The Innocent and after careful consideration I feel that's his seminal work.

    Fun to ponder, though.

    And Gary, thanks for checking back in! You too Matt.

    ReplyDelete
  5. Ok. I’m behind on my “connections.” Lets go back to Elton John to Aerosmith. Rub, I thought you’d appreciate the technical end of this connection.

    The Leslie speaker is a specially constructed amplifier/loudspeaker used to create special audio effects using the Doppler effect.
    While normally used with an organ, Leslie speakers can be used with other instruments. Both Aerosmith and Elton have used it with guitar on “What It Takes” and “Goodbye Yellow Brick Road” respectively.

    The Stones also used it that way in “Let it Loose” but that would be cheating. Up next, the Stones and Aerosmith…but that should be much easier. Something about horny, still performing old men...but I can do better.

    ~rob

    ReplyDelete
  6. Jeff, you and your roommates "lazy" -- seriously??

    ReplyDelete
  7. yes, Deb. I know it's difficult to believe . . .

    ReplyDelete
  8. 'exile' is one of my all-times too- i think i've been thhru about 8 copies between vinyl, japanese vinyl and CDs....
    and it can still light me up like very other records ever made...
    nice piece- good writing!
    d

    ReplyDelete